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A large percentage of times I shop for records I like to look for those things that didn't make the cut when labels were deciding which albums they were going to reprint their catalog on cassettes and then again on compact discs. As a result I've ended up discovering a lot of jazz, world music, and novelty records that time has otherwise forgotten, and in turn some of my current musical tastes have been swayed as well.
No I did not discover Luiz Rocha - Espiga in a dusty record bin -- it was actually through a few errant internet clicks in an attempt to close out a spam/virus assault -- but it does mesh quite well with these newly-cultivated preferences.
All of the info I could find on theBrazilian Barcelona-based clarinetist were either in Spanish so, just for funsies, I used BabelFish's translation services to translate his official bio to English, then back to Spanish, then back to English to see if it made any more sense.
"of Luiz Rocha; Espiga"…The musician, the clown and the professor, have begun with music to the 11 years that touched the guitar, but the definitive enthusiasm by the sounds went when discovering clarinet and the winds. It touches clarinet, the point under clarinet and the guitar. It has made trips by Brazil and Spain, has directed to music and the subjects composed for the glasses and the cinema of the theater, taught to music to the agents and to the children and has worked like clown in hospitals and streets. At the moment that touches inside. Qbamba. and it takes to his music the pairs, the trio and the quartet by the world.
All giggles aside, though, the song "Controle Remoto," in particular, is a slightly creepy dance number with a slightly Latin groove and it has been rocking my world as of late.
=w=
No I did not discover Luiz Rocha - Espiga in a dusty record bin -- it was actually through a few errant internet clicks in an attempt to close out a spam/virus assault -- but it does mesh quite well with these newly-cultivated preferences.
All of the info I could find on the
"of Luiz Rocha; Espiga"…The musician, the clown and the professor, have begun with music to the 11 years that touched the guitar, but the definitive enthusiasm by the sounds went when discovering clarinet and the winds. It touches clarinet, the point under clarinet and the guitar. It has made trips by Brazil and Spain, has directed to music and the subjects composed for the glasses and the cinema of the theater, taught to music to the agents and to the children and has worked like clown in hospitals and streets. At the moment that touches inside. Qbamba. and it takes to his music the pairs, the trio and the quartet by the world.
All giggles aside, though, the song "Controle Remoto," in particular, is a slightly creepy dance number with a slightly Latin groove and it has been rocking my world as of late.
=w=
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