Somewhere Good Music Still Exists (We Think)

There is no shortage of new music to be discovered on a daily basis, but that's not to say that all of it, or even a large percentage of it, is noteworthy. This sometimes makes the task of presenting exciting musical stuffs in a blog landscape slightly difficult, i.e. when long stretches pass with very little attention-grabbing new material crosses our paths. Which is why I was glad to have stumbled upon a somewhat recent post by fellow local blog Dumbing of America which expressed a similar sentiment. There Todd Cochran writes:
Where have we been? I’ll tell you where we’ve been: in a state of boredom. Virtually nothing in 2011 has moved us in the ways that the bands we’ve brought you in the past have. We could have easily regurgitated the latest Pitchfork-darling/ high-priced PR firm offers you tickets to Lolla in exchange for… crap. Instead we stuck to our principals and decided it would be better to bring you nothing, than to bring you crap.
And I was beginning to think I was the only one who felt this way.

I don't think it is jadedness or burnout, either of which would have probably manifested themselves before the fourth year of this site's existence, but it isn't really any more comforting to think that maybe music does suck more than usual as of late, or at the very least the good stuff is making itself a little more difficult to locate.

Maybe this is a good thing in the way that outsider music is, in many cases, more fulfilling to listen to and does sort of lose some of its appeal when one walks in on their mothers humming an Ariel Pink tune whilst doing the dishes. Maybe it is better this way, for the really good musics to be reserved for people who actually give a crap to the extent that they'll actually dig for it or, hell, even go out to shows.

Local bands, after all, share a little of this outsider status with their popularity resting largely on the strength of word-of-mouth reviews and almost no radio plays or press write-ups (save for a handful of very poorly trafficked blog sites such as this one).

The moral? When you finally do find something good talk about it. Keep it alive by spreading the word, even if it is a band who didn't release a record in the last two weeks. And thanks to my buddy Joey for emailing me this year-old Zach Hill video which helped renew my excitement in music this morning when I realized that good things are still out there if you just know where to look.

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Video: Coves // For Your Own Good


It's been roughly 20 months since silk-voiced Denton songwriter Roy Robertson burst onto our local music radar, and we were thinking recently that it has been a minute since we've heard anything new from him. So we thought it was high time for the semi-annual Robertson Update. According to the note he sent me, he's been laying low, taking some time off from playing his own material live while he works on his latest EP.

But he hasn't stopped playing live entirely, as he recently teamed up with Caleb Ian Campbell (of Polycorns fame) and Benny Bailey's new project Coves as part of their live band. And he's a perfect fit too, not just because the vocals that flutter over the minnimal Mini Mansions-esque song beds aren't that far of a departure from something Robertson might have done himself, but also because the band, thus far at least, seems to stick to members with the same first and last initials.

Find them on FaceBook to stay updated on the release of their recently completed recordings and upcoming shows. Unless they add more dates between then and now it appears the next chance to catch them will be New Year's Eve in Denton opening for John Maus at the Warehouse.

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Little Black Dress // Don't Worry Baby

As heard on last Sunday's special post-DOMA all request edition of The Local Edge, Little Black Dress' latest 7" hit shelves yesterday. Mark has already been playing the A-side, slightly shoegazy but surprisingly faithful cover of Beach Boys' "Don't Worry Baby" on his show (check it out streaming below). The physical copies will have a limited run of 300, with the official release show coming Nov. 12 at Dada with Calhoun.



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Sick Secrets // Come Here - Get Away

When I asked Kim Thayil last week what was currently in his CD player he said 'Nothing.' Then he laughed and said that right on top of it, however, were the latest demos by local Seattle band Sick Secrets. The three-piece garage punk outfit are fronted by Derek Shepherd (yes, Ben's nephew). Kim described them as a Buzzcocks-influenced hardcore band. That's partly true if you throw in a bit of extra reverb and subtract the affected Brit accents.




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TONIGHT: Epic Ruins & Stardeath and White Dwarfs at the Where House

Don't forget about the Epic Ruins/Stardeath and White Dwarfs show we're co-presenting tonight with Overtone Booking over at the Where House in Fort Worth. What more can we say, really, to convince you to head out tonight? We've done much raving recently about how much we've grown to love the venue, as well as our growing fondness for the city of Fort Worth and its up-and-coming music scene, and if you haven't been fortunate enough do have caught one of Stardeath's hypnotic live performances we can think of nary a more perfect spot in the Metroplex to take one in.

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Video: Soviet // Hall and Oates


It's been a fun, weird little ride watching Soviet evolve over the past 10 months from a flower-punk trio who seemed to release EP's on a weekly basis, to a 5-piece Weezer/Ozma hybrid more intent on fucking shit up than ever. In between we've seen the lineups fluxuate from 3 members, to 4, then back to 3 before settling on its current 5-piece state, with Andrew Weir going from the band's drummer to its guitarist and now to bass (the instrument he appears most comfortable on stage with). And then there's spastic frontman John Spies who has only gotten more over the top and out of control since opting to quit playing guitar during live shows.

The band will be releasing their first professionally-recorded material soon by the way of a 7" from upstart imprint Treefall Sounds. The video above for "Hall and Oates" is from that upcoming release.

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Video: Johnny Cash Hearts Beck



One of the things I like about YouTube and Wikipedia are the endless loops I find myself getting locked into for hours at a time as I click on related link after related link until I forget what I was doing and only fuzzy memories of how I ended up reading an article about mycoprotein or watching a video of a cat flushing a toilet. Such was the case a couple nights ago when I started searching for videos of Kim Thayil and somehow seven degrees of separation later I stumbled upon this video of Johnny Cash talking about watching Beck perform "Rowboat," a song he would eventually go on to cover, and Beck discussing how the song was slapped together in a matter of minutes because he realized he forgot to write a song for the pedal steel player to appear on until he was supposed to give the guy a ride to the studio.





MP3: Johnny Cash - Rowboat

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Where Have All the Great Albums Gone?

Does it seem like there are less hype-worthy albums being released as of late? Or as a guy that's paid pretty close attention to the album cycle for a few years now have I just finally become jaded about the typical over-promise/under-deliver nature of internet buzz? I.E. maybe the 20,000+ emails I've received since SubEx has been around numbed me to the concept of press releases/PR firms?

All I'm wondering is when is the next game-changing album going to come along? Doesn't it feel like way too long? I realize that OK Computer's and Stankonia's don't come around every week, but how about every few years? When was the last truly legendary album released? Of all the albums released in the last few years which ones will still be relevant to our grandkids? A couple years ago some folks might have suggested things like Wolfgang Amadeus Phoenix or Veckatimest as viable answers to that question, but honestly I barely listen to those anymore even now.

And it doesn't necessarily have to be a Nevermind either, heck, at this point I'll settle for the next Pinkerton. Who will step up? Or the way the music business works these days, with emphasis on sellability and towards placing more importance on singles than albums is that level of greatness even possible?

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This Is So Happening

This is happening. That is all.

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R. Stevie Moore's Updated Cassette Club

Fairly recently we had the privilege to interview R. Stevie Moore, one of our biggest DIY heroes, and to write a somewhat lengthy piece in the Observer detailing his orgins and rise from obscurity to cult legend. In the piece we not only document the way his RSM Cassette Club -- who's members Moore would directly mail his home recordings to -- helped him on this rise, and how late in life Moore has embraced new technologies (like Facebook) to help him continue on his DIY ethos with even more successes. Just as the cassette club eventually morphed into the more widely distributed CD-R club, it has once again moved into the 21st century with its evolution into the BandCamp club. OK, so it's still technically called the "Cassette Club," but many of Moore's offerings both old and new have already made their way to his BandCamp page, including his newest studio album Advanced. Start diggin' folks.

MP3: R. Stevie Moore - Zebra Standards

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Giveaway: Tickets to Epic Ruins/Stardeath and White Dwarfs at The Where House

I think we've gone on record plenty of times this year proclaiming Ft Worth as the Metroplex city kicking the most ass musically this year. And a huge part of that can be credited to the scene being built around the Where House --one of the city's newest and hippest spots. From the laid-back atmosphere, spacious back patio areas, loads of local artwork, or its semi-DIY feel there are few places we would rather see a show in the Town of the Cow as of late, or really anywhere in DFWd for that matter.

You can guarantee that we will be there next Friday, October 21st, when the venue will host its biggest bill to date with Stardeath and White Dwarfs, Epic Ruins, and Skeleton Coast. Just a heads up, tickets are cheaper if you pre-order them here.

OR they are even cheaper (as in FREE) if you are one of the lucky few winners selected for our giveaway. Want em? All you gotta do is send us an email with the phrase "I HEART THE WHERE HOUSE" as the subject to enter. We've got a handful of tickets so winners will be notified this weekend.

MP3: Stardeath and White Dwarfs - Smoking Pot Makes Me Not Want To Kill Myself

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Tonight: Roger Daltrey at Verizon Theatre

Typically when one member of a classic rock act rolls through town solo it reeks of desperation; of the last lone warrior failing to realize his better days are behind him; of the guy who’s made the somewhat depressing recognition that life on the road is all he’s cut out for; more often than not of a guy who hasn’t managed his money well. And when Roger Daltrey plays the Verizon Theatre in Grand Prairie tonight a hint of all of these may be in the air, but the aging rocker still has at least a few things going for him.

For one thing a solo Daltrey fill find himself playing a much more intimate venue than he would were he to have Pete Townshend in tow. And there’s the fact that for the first time ever Roger and his band (which includes Pete’s younger brother Simon filling in on guitar) will be performing Tommy in its entirety followed by a slew of The Who’s hits. Early reviews of the tour have been positive, citing the band pulls off a more ‘balanced’ and ‘lyrical’ adaptation of the musical than the elder Townshend’s emblematic ear-splitting take.

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Jason Webley Violitionist Session


It is more than tempting to use at least one post a week to point folks over to the Violitionist website, as they are posting awesomely exclusive intimate live vids and questions with bands on a very consistent basis. Much like the annoyingly high-pitched whine of tinnitus, which I'm currently plagued with, I realize that by harping on the same points over and over it becomes increasingly easier to tune out.

This week, however, the dudes behind the site have landed perhaps their most exclusive bit of content yet: Jason Webley (who most know as the non-Amanda Palmer half of Evelyn Evelyn) gives the local site one of the last interviews and performances before embarking on an extended (possiby permanent?) hiatus. Some of the answers he gives are things he's yet to have told any other outlet.

*Remember you can vote Violitionist to win the Best Blog DOMA through this Saturday night.

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Overtone & SubEx Present // Stardeath and White Dwarfs & Epic Ruins at The Where House

Ft Worth-based Overtone Booking & Management and Subservient Experiment are excited to announce the co-headlining show featuring Stardeath and White Dwarfs and Epic Ruins at The Where House in Fort Worth on October 21. The two heavy psych-rock bands will be joined by Fort Worth’s Skeleton Coast.

Widely known for their contribution to the Flaming Lips’ 2009 tribute album to Pink Floyd’s Dark Side of the Moon, Stardeath and White Dwarfs are an experimental rock band formed in 2003 by Dennis Coyne in Norman, Oklahoma. Coyne, a member of the Flaming Lips’ road crew, formed the band with two other of the Lips’ techs as well as two friends from Norman’s music scene. During breaks in the Lips’ tour schedule, the band recorded their debut album with Norman-based engineer Trent Bell (Flaming Lips, Starlight Mints) appropriately naming it The Birth. The Birth blends atmospheric sonics with heavy guitars and bizarre, heartbroken lyrics; along with a psychedelic light show, Stardeath’s music makes for an explosive, unforgettable live show. They are currently in the process of recording the follow up to their debut.

Formed in Fort Worth, Texas in 2009, Epic Ruins originated as a studio project between drummer Jordan Richardson (Ben Harper and the Relentless 7) and bassist Steve Steward (Kevin Aldridge and the Appraisers, Oil Boom), for which the pair directed a cadre of friends from the Fort Worth music community to flesh out their ideas, after which Richardson and Steward went to Los Angeles to mix it with engineer Danny Kalb (Beck, Ben Harper). Epic Ruins’ debut, Void Mariner and the Mystic Boogie of the Sacred Line, is perhaps best described as heavy Texas space rock, as fuzzed-out guitars blend with spacey keyboards and lyrical nods to the band’s home state. In September of 2010, the band sold out their first show at Lola’s Saloon in Fort Worth, traveling to L.A. in December to a similarly packed show at Spaceland. Steward and Richardson are currently writing and recording the next album.

Tickets available now via Prekindle.

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Tonight: Two Chances to Catch UMO

We bring it up enough that surely you've gathered by now Unknown Mortal Orchestra's debut record is one of our absolute favorites of 2011. The boys are on a can't-miss bill tonight at Dada with Toro y Moi, and their labelmates Bass Drum of Death who impressed us mightily at Bryan St Tavern a couple weeks back. If you can't make it out tonight, or if like us one dose of UMO isn't quite enough for one day, they'll also be doing an in-store at Good Records today at 3PM. Or if you're in that other camp of folks who still has no idea who we're talking 'bout, here's a link to an interview we did for this week's issue of the Dallas Observer with UMO frontman Ruban Nielson.

MP3: Unknown Mortal Orchestra - Ffunny Ffriends

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The Zoltars // Broken Rimbaud

We've had a soft spot for the child-like simplicity of Austin lo-fi trio The Zoltars for a good bit now. Heck, they recently played one of our SubEx Presents shows at The Double Wide with our pals Sea Lion. The band's latest project is the visual album Broken Rimbaud. Unlike a typical soundtrack-type situation where a composer is brought in after-the-fact to add life to a film, the visual album concept was done in reverse order. That is Alex Leibowich (brother or Zoltars frontman Jared) was brought in to construct a silent film to accompany the songs.

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Tonight: Pepper Rabbit at Club Dada

Tonight tonight Pepper Rabbit, BRAIDS, and Painted Palms will be playing Club Dada. We've covered Pepper Rabbit pretty extensively in the past so we're pretty stoked about this midweek offering. Worth re-visiting are the Q&A with Pepper Rabbit frontman Xander Singh by our sometimes contributor Laura Sliva, as well as the band-commissioned remix done by her brother, aka Dallas DJ/Producer LehtMoJoe (below).

MP3: Pepper Rabbit - Murder Room
MP3: Pepper Rabbit - Murder Room (LehtMoJoe Remix)

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GASHCAT // REUNION!

I found this explosion of drug folk racket called GASHCAT on the Dan's Silverleaf calendar, next to Denton's Paper Robot on October 26th. If they should decide to put Denton's Spooky Folk on this bill many Corduroy pants will be soiled. These descendents of Neutral Milk Hotel and The Decemberists present this style like it's already a traditional thing to do, which it probably is.


-Wolfe McBain

Low Times // I Don't Belong


A lot of exciting things going on with TX-based garage-punk label Aye Aye Aye Tapes lately. In the video above preview the song "I Don't Belong" off of Austin band Low Times' (aka the bedroom project of Erik Camacho) upcoming 7". If you're digging the vibes the label also has a free comp featuring some of their other artists for download here.

MP3: LOW TIMES - el entierro de los gatos

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