This upcoming Saturday marks the second annual Homegrown Music and Arts Fest in Downtown Dallas. This year boasts a gigantic lineup featuring 13 of the biggest and brightest acts to have ever been associated with the Metroplex (hence the name). So we caught up with John Solis and the rest of the Homegrown team to find out just what separates their fest from all the other local area music fests.
SubEx: Why was Main Street Garden Park chosen as the location rather than somewhere more obvious like a Deep Ellum?Homegrown: Well, the park's location and proximity to Deep Ellum AND Downtown was exactly why we chose it. It's .7 miles to Deep Ellum from Main Street Garden and it is literally in the midst of the beautiful downtown Dallas skyline, so...perfect!
SE: Is using the best of the local music scene a way to promote the Main Street Garden Park area? Or perhaps is it a way to promote local music by bringing to a group of folks who may not ever venture into Deep Ellum? Maybe a little of both?Hg: It's definitely a symbiotic and mutually beneficial relationship that we do hope will bring people in to see, not only the great talent but, yes, a resurging Deep Ellum, the great new Arts District, all the new restaurants and clubs and bars in Downtown. We hope to help introduce people to all of it.
SE: There are several of these "fests" in the area each year (Deep Ellum Arts Fest, 35C, DOMA Showcases, just to name a few) what makes Homegrown different? What sets it apart/makes it unique? Why should people come?Hg: Definitely the location and the park. It's really great for this kind of thing. It was cool last year to see people with their dogs hanging out on the great lawn and kids playing in the fountains and on the playground. I mean, it was actually made for this sort of thing. And, you know, our talent is awesome. Not that that sets us apart from those other great festivals but we love our line-up!
SE: Where do you see the fest in 5 years? What are the long(er) term goals for the thing?Hg: We certainly want to grow as the area grows. It'd be really awesome to go to two days at some point and maybe use Main Street Garden and the deck park over Woodall Rogers and really bring some national notoriety to the city with it...nothing major!
SE: How was the final lineup settled upon, and who are some of the acts you are most excited to see (or most excited for other people to see)?Hg: We're as excited as can be about the whole thing and really do hope people will see all of it. That said, Astronautalis and Analog Rebellion both as full bands is super sweet! We can't wait to see Neon Indian and School of Seven Bells and Ishi, always. It's kicking off strong with Grant Jones & the Pistol Grip Lassos and then Slobberbone. I'll go through all 13 bands right now! But seriously, when you take the total pool of talent available and get down to 13 acts, well, it's just gonna be stout. Finalizing it is for sure the toughest part. You always want to squeeze more bands in somehow but there's only so many hours in the day...Saturday....May 14th.
SE: How does the festival promote other arts/culture besides just music? How does it do this?Hg: Mostly by providing a venue, an outlet, for the artists that will be present, be they sculptors, photographers, painters, to come together with potential and new consumers. We've tried to make it as affordable as possible to anyone that wants to participate. Doing it all on a big scale and catching peoples' attention really helps so, in that spirit, we're working on a large, live art demonstration to take place during the event but it's still kind of a secret. We'll just say...HunterMurals!
Homegrown Music and Arts Festival, May 14th at 1900 Main St, Dallas (
buy tickets)
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Posts
Cleburne youngsters (is it even still fair to call them that anymore?) Fungi Girls have a BandCamp page now where you can listen to all their previously released material. Even better? You can stream their upcoming full length, Some Easy Magic, which will be released on Hozac in the next month or so. Download a couple of free tracks too while you're at it.
Back in March John Congleton told DC9 about a new project, Nighty Nite, that he was working on with his Paper Chase bandmate Jason Garner on drums, as well as members of Austin's Shearwater and New York's Slow Six. He also hinted at a then-still-in-process EP that at the time had no release date. If Nighty Nite's Soundcloud page is to believe, that album looks like it will come out June 21st.
A certain Michael Azerrad book I was reading last Spring had an interesting commentary on the early 1990's lo-fi art punk movement, regarding the way in which bands would intentionally choose cassettes as their medium of choice, despite the fact that they widely acknowledged the inferiority of tapes to compact discs, knowing that the snobby masses (whom they didn't really care to have as fans of their art in the first place) would never make an effort to listen to them. They would record with low fidelity to make listening to their music hard, to make sure only the worthy consumer would be the ones willing to fight through the hiss, warble, and distortion.
We found out earlier this week that Henry Rollins joined the masses on Twitter, (username @henryrollins) and surprisingly so far hasn't said anything yet that has made us question the remaining shreds of his punk credibility, or like him any less for that matter. In fact, thus far we've quite enjoyed following the former Black Flag frontman. Earlier he mentioned his love for the new Thee Oh Sees record, which reminded us we too have been digging it but have yet to post anything about it. Furthermore, we remembered a few other MP3's we've been sitting on like the lazy SOB's we've been as of late. Our apologies. Here are a handful of tracks to--hopefully at least--make up for it a little.
In the past week I've become quite the avid follower of the @DentonPolice Twitter account, which is basically just mugshots and arrest records of people taken into custody in Denton. However, unlike it appears on the surface, the account is maintained by a UNT photography student to draw attention to how much info is being made available online. The potentially embarrassing photos and records, of course, as the account's background image reminds its followers, are made available upon booking, despite the subjects' status as pre-trial inmates who are presumably innocent (until proven otherwise at least).
