Weekend Mixed Bag

We typically don't ever blog on the weekends here, but in the spirit of spring cleaning our desktop we decided it would be a good idea to finally get rid of some MP3's we've had laying around for a bit --without all the superlatives/puffery. Because we're just no-frills like that.

MP3: Shaky Hands - Allison and the Ancient Eyes
MP3: Sharon Jones & The Dap Kings - I Learned The Hard Way
MP3: Sambassadeur - Days
MP3: Real Estate - Beach Comber
MP3: Horse Shoes - Believing In God

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Interview With AnonymousCulture About His New Album & Future Plans

SubEx: What was the motivation behind calling your album The Intervention? Were there any ulterior motives, i.e.do you consider this a wake-up call of sorts to the DFW hip-hop scene?

AnonymousCulture: Well it came from me watching the A&E show Intervention. As I watched it was funny because I began to fall into this daydreaming state which made me feel “The Addict” was music from my perception. At the time I was searching for a title for the album, so boom I ran with it. Yes, there is so much meaning behind it and that was my motive for making “The Intervention” my selection. Again, from my perception, she (music) needs an intervention badly. She’s so lost. She make’s love for money now and not just for LOVE. But, I feel that this still isn’t going to be a wakeup call, because the bad music has too much money tied up into it and it gets too much exposure 1 & 2 (LOL) and 3, the good radio stations in Dallas are not ran locally, so unless there is a large amount of money put behind my record, I’ll remain underground like the rest of the good music here.


SE: You've been going by your full name AnonymousCulture lately, as well as using the tagline 'I Am A Culture'. What does it mean to you to be a culture?

AC: To be a culture, is just that man. Be You! Because I guarantee there is someone out there like you so, if you stand up and be you, then they might stand up and be themselves, you know so, BE YOU! Please because we live in a time where really, the media (music, TV, etc...) make people think, that this (what they show) is how you have to be. Nope, news flash you don’t. Look at me; I’m a complete oxymoron to “The Rapper”. I don’t curse in my music, I’m married so I don’t have a million “Hoe’s”, I’m neva (and never will be) iced out, I don’t sag, I dress like I have some sense, and I think it’s cool to be intelligent (WHAT!) LOL. But, yes I’m almost 100% against the grain or the norm when it comes to “The Rapper”. So, that’s what it’s about, no matter your age or race, I just want them to stand out by being themselves (Period) it’s bigger than music.


SE: Your album is one of the best local hip-hop albums we've heard in some time, so why did you decide to let people download it for free?

AC: Expanding the brand, expanding his brand, expanding my Brand…. I am a Culture. Plus I feel like the best work I’ll do is whatever I record the day I die. I’m just warming up or “Like fine wine I get better with time”… I love the saying.


SE: Your song 'The Truth' was written for Deion Sanders' little league team of the same name, how did that whole thing come into being? Is Deion a big Anonymous fan?

AC: LOL, well I don’t know if he’s a fan but one of my co-workers’ son plays QB for the team and he’s real good friends with Deion. One day Deion mentioned to him he wanted a song for the team, so, my co-worker told me. I recorded, mixed, mastered it that night, and gave it to Deion himself the next night. He loved it and that was that. Simple as A, B, C.


SE: Your album just came out Tuesday, but I've already heard rumors of yet another mixtape that you're prepping for release in the next month or two. Is there any truth to that?

AC: Yes! I will start working on a mixtape “Effin Rite” very soon. Release time I’m not sure but, again expanding my brand is my main motive. So the more material I put out, the more I keep you guys (Media) going crazy. My nickname for my brand is the Tongue (HINT remember this something special is behind that name) because I want it and want to keep it in everyone’s mouth (Period).


SE: What is your favorite track from The Intervention and why?

AC: They are all my babies and you can’t choose one kid over the next one that’s bad parenting


SE: Who are some of your favorite local emcees and producers?

AC: Producer- LehtMoJoe Artist- Xavier Marquis look out for him, he’s dropping in March and I also have a huge amount of respect for Pikahsso.


SE: Now that the album is finished do you plan on focusing more on live performances in 2010, or at least doing more shows than in years past?

AC: Yes oh yes. I’m looking to transform into a gigging machine this year. Starting March 14th in NX35 at Andy’s Bar


SE: In your opinion, who is the most talented emcee in DFW that most people have probably never heard of?

AC: Seriously, Xavier Marquis, man this guy has a lot of talent and just all around good music in my opinion.


SE: As a promotional ploy, many folks have taken to releasing remixes of their tracks or putting acapellas out into the blogosphere for any bedroom producer to jack. Do you have any planned remixes for this album or anything like this we can look forward to?

AC: Yes. April is when I will release acapellas for remixes. I have to. I love that kind of stuff and im ready to hear what pops up.


Bonus MP3: AnonymousCulture - Trouble

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More Roy Robertson, Now With Bonus MP3

I know we've been on Mr. Robertson pretty good lately, but I promise this will be it for awhile. Head over to DC9 at Night to check in with my most recent dealings with Robertson, where he shares details on upcoming releases, and most importantly, an unreleased track.

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The Guestlist w/ Chelsea Callahan

Chelsea Callhan is no stranger to the Dallas music scene. When she’s not busy working with Art Conspiracy, booking some of the best music bills in the city, you may spot her manning a set of turntables as DJ Dirty Cha Cha. For the last 6 years she’s handled the booking duties at the trailer-park themed Double Wide bar, and in that time has made it one of the most consistently legit bars for bands to perform in Dallas. She also throws some of the craziest parties in town; Case in point, her annual Cinco De Cha Cha birthday bashes. All this and I have yet to mention her Manhandler Management company which handles acts like Dallas' Hello Lover. It's no wonder, really than, that she was voted 'Best Local Music Advocate' in the 2009 Dallas Observer Music Awards.


"The Top 5 Shows I Saw in Dallas in the Early 90’s" by Chelsea Callahan

1. Lollapalooza #1

Starplex/August 23, 1991

Jane’s Addiction, Siouxsie and the Banshees, Living Colour, Nine Inch Nails, Fishbone, Violent Femmes, Ice-T/Body Count, Butthole Surfers, Rollins Band

I’m still not sure why my mom let me skip school and drive her car an hour and a half to Dallas when I was only 16, but I am certainly still thankful that she did. My friend Kui and I almost met Ice-T, but when security stepped in we just got shoulder shrug instead. Good enough. There was also a crazy plastic cup throwing thing during Siouxsie & the Banshees that was pretty awesome. And getting to see the original Jane’s Addiction…damn. This was definitely one of the most fun days of my life.


2. Jeff Buckley

21st Amendent located at 2642 Main/November 30th, 1994

The thing about this show is that I didn’t even want to go. My buddy Evan Hisey had to basically drag me there. But then I was totally blown away. I couldn’t believe he was pulling it all off live. And that ended up being the only chance I’d ever have to see him live. I am eternally grateful Mr. Hisey for this show.


3. Fugazi

The Bomb Factory/May 17th, 1993

I saw Fugazi only twice…both shows at Bomb Factory, but this was the first time. They remain one of my all time favorite bands. Of course both were $5 and all ages. God bless them for that.


4. Beastie Boys, Rollins Band, Cypress Hill

Sportatorium/November 20th, 1992


All I can say is that this shit got crazy. Halfway into the first Rollins Band song, the security got caught up in the pit and the barricade and part of the stage got ripped up. The show started again over an hour later….with no security and no barricade at the front. So of course I had to touch all the Beastie Boys.


5. Guns-N-Roses, Metallica, Faith No More

Texas Stadium/September 5, 1992


This was a crazy weekend because Lollapalooza 2 was the next day. I went to this show with about 9 or 10 dudes I went to high school with. We got there real early so we could be at the very front for the whole show…which we were. It was hot as hell. People were passing out during Faith No More. This was the tour that GNR and Metallica were taking turns headlining. We felt pretty gyped because GNR headlined this show, but it was still great. This was also one of the shows where James Hetfield didn’t play guitar because he had burned his arm from pyrotechnics at a previous show and John Marshall from Metal Church filled in on guitar.


Honorable mentions:

Sonic Youth

Agora Ballroom/September 19, 1992


Ministry/Sepultura

Sportatorium/December 15, 1992





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Tom Petty Gets His Mojo Back

What does it say about me that I just spent the last 11 minutes of my life listening to the new Tom Petty song twice back-to-back? That I probably own his entire discography? That I might be one of the few Americans that actually didn't think his Super Bowl performance was "boring"? That I've probably seen local cover band Petty Theft more than once? Sadly the answer to all of these is 'yes'.

Despite what you may think, however, the new track "Good Enough" is a bluesy number who's sustaining organs and dark soul rival the likes of CCR's "I Put A Spell On You". In this writer's humble opinion Petty didn't rock anywhere near this hard on 2002's The Last DJ, his last disc with the Heartbreakers, and most certainly not his 2006 solo effort Highway Companion. Perhaps he just has a little Mudcrutch stuck in his craw? Or perhaps his was just a little perturbed Dave Grohl and Co. tried to bite his style with that shitty "Wheels" song a few months ago? Regardeless, if he comes through our neck of the woods on his summer tour I'm as good as there.

Stream "Good Enough" from Tom Petty and The Heartbreakers' upcoming album Mojo, here.

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Focus Grouping With DEVO

It's no secret that DEVO are planning a triumphant comeback in 2010 with a new album and tour in the works. As such I've been bombarded with many DEVO promotional videos and materials hyping their return. One fun little example is the seemingly pointless DEVO Color Study, which is a website that fans can interact with to find out their "DEVO color". [ed. note: I am an orange]. Only the colors have no meaning, for instance what does it, in fact, mean to even be an orange in the first place? Perhaps nothing.

Or if you believe an interview in the latest issue of Rolling Stone, Mark Mothersbaugh hints that the group are toying with the idea of changing the color of their uniforms and that they are focus-grouping every potential change they make. Sure it's not a very 'rock-n-roll' way to do things, but this is 2010 where the music business is more business than music. Still though, it makes you wonder how innocuous that little 'What color makes this musical group feel more effective?' question really is. Perhaps takers of this little quiz are actually shaping DEVO's future. If so I say we all vote that they stop wearing oversized Pepcid lids on their heads.

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AnonymousCulture Gives DFW Hip Hop An Intervention (And a Free Download)

One thing that AnonymousCulture (formerly Anonymous????) hopes to make clear on his latest full-length is that he is more than just a man, he is a culture. This mentality is perhaps why he felt like the DFW hip-hop scene so desperately needed an intervention in 2010 --or it could just be all the attention our area has been getting over the last year for the ridiculous instructional dance tunes of people like The GS Boyz, and B-Hamp, or the lyrical confusion that is "Ice Cream Paint Job".

Beyond that Anonymous doesn't rely too much on overly gimmicky hooks, dance moves, extensive cursing, or lyrics about getting high or living a thug lifestyle, instead opting to pair his sharp lyrical style and crisp delivery and pair it with an even sharper wit. His powerful social concioussness conveyed through his rhymes is infectious, and in all hopes will inspire his fellow local emcees to take things back to basics, and rely on their good old fashioned lyrical prowess.

In this way Anonymous leads by example, spitting it acapella for nearly a full minute during the album's closing track "Trouble". And like Q-Tip did on 2008's The Renaissance, he sounds damn good doing it too. It also helps that this is the most sonically impressive release I've ever heard from Dallas' finest emcee. While his mic skills have always been more than impressive, I'll be the first to admit that poor production quality has been an issue on past mixtape releases, ranging from distracting to downright maddening. This time around, however, a stable of inspired beats by local producers LehtMoJoe and King Blue as well as top notch mastering finally allow Anonymous to shine in his fully glory.

The most baffling part? AnonymousCulture has put up a link for you to download his album free of charge. It's remarkable to me that the best hip-hop album that's going to be released in DFW this year is going to also be the cheapest.

Think of The Intervention as AnonymousCulture's coming out party, one that not only aims to entertain, but to change the entire culture of local hip-hop. And if there is one person who reasonably stood any chance in succeeding in this daunting endeavor I would have to put my money on Anonymous; After all, he is more than a man, he is a culture.

MP3: AnonymousCulture - Flo Glo Neo

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Chicago's Blue Ribbon Glee Club

With the recent popularity of the cheeseball Glee television program it seems that everyone's inner geek is suddenly rising to the surface. All of a sudden it's not gay or uber-dorky to admit one's affinity for watching melodramatic teens sing their adolescent frustrations out in 5th period glee club. It is also for some reason unbeknown to this writer perfectly acceptable to use the forum of Twitter to express ones excitement each week's episode, or to take the whole debacle a step further by live-tweeting while watching episodes.

But I digress. The specatcle that is Chicago's fantastic Blue Ribbon Glee Club predates this whole shitty Glee phenomenon by a couple of years. Unlike the televison program the BRGC have a cool pseudo-hipster vibe that not only makes taking in one of their performances feel totally acceptable, it also feels completely punk rock. After all, would network television ever allow something as risque as a Misfits cover that involves a 20+ voices strong chorus of "I Ain't No Goddamn Son of A Bitch"?

Their choice of songs to cover aside-- Black Lips, Coathangers, Misfits, Dead Kennedys, Black Sabbath-- there was still something inherently cooler about the BRGC than any of the lame acapella choirs from my high school and college. Perhaps it can be partially attributed to the fact that what they lacked in perfect pitch they made up for in chutzpah and pure punk rock ethos --and they did it in spades.

If you're ever traversing the Chicago metropolitan area I highly suggest you seek them out. They are simply one of those rare acts that are such a delight to witness that it is utterly impossible not to do so with a smile.

MP3: Blue Ribbon Glee Club - Bad Kids (Black Lips cover)

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The Guestlist w/ The Soundtrack of Our Lives

I know typically our popular Guestlist posts only appear once a week, but sometimes rules are made to be broken. Swede rockers The Soundtrack of Our Lives, who just released a new digital EP on the heels of their recent double album Communion, will be bringing their brand of catchy pop and grandiose sing-a-long choruses to The Granada Theater tomorrow (Sun) night along with California garage rockers Nico Vega. As such we are honored to have been given this gift of a double helping of guestlists for the week. And while it might be a tad self-serving, it is also a bit insightful as well. Just think of it as a second Christmas.


"The Top 5 Best TSOOL Shows Ever" by The Soundtrack of Our Lives

1. Dallas TX, Feb 21 2010 @ Granada Theatre w/ Nico Vega
With new amazing set list and a bull on stage.

2. Tucson AZ, Feb 23 2010 @ Rialto Theatre w/ Nico Vega
Revised set list and special appearance with citizens from NASA.

3. San Diego CA, Feb 24 2010 @ The Casbah w/ The Loons & Nico Vega
Fairly normal set list but really well performed. World premier for a whole
new set of TSOOL dance moves.

4. Pomona CA, Feb 25 2010 @ The Glass House w/ ONCE & Nico Vega
We’re not totally sure what will happen here but it will be awesome!

5. Los Angeles CA, Feb 26 2010 @ El Rey Theatre w/ ONCE & Nico Vega
Mind blowing Ebbot birthday show with surprise Special guest appearances.


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Distant Gig Alert: White Hinterland at Hailey's

A few weeks ago we introduced you to White Hinterland's new sound which they will unveil on their upcoming Kairos disc. Listen closely and you may notice a subtle acid-washed ukulele on their newest teaser single "No Logic". I think that makes about 4-5 songs featuring ukes that we've blogged about in 2010. Can anyone say trend?

Regardless, the real news here is that White Hinterland will be bringing their new washed-out minimalist R&B/pop stylings to Hailey's in Denton on May 1st. Take note now as Kairos is sure to be all the rage by then.

And opening for Hinterland that night? Post-rocker Dosh who will be supporting a new disc of his own.

MP3: White Hinterland - No Logic
MP3: Dosh - Subtractions

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The Guestlist w/ Brad Dougher

Other than simply playing in two of my favorite mid cities bands (guitarist for the County Lines and bassist for Hard Times) Brad Dougher is one hell of a beer drinker, fun guy to be around, and an all around nice guy, as anyone who has ever spent even as much as two minutes around the guy would gladly attest to. As it turns out, he also happens to be a pretty fine writer as well. Kudos to Mr. Dougher for sending us the shining example of what the Guestlist is intended to be. Other local artists take note. That being said, we'll get right to the list without as much of the puffery you are normally accustomed to...


For anyone that has spent some time in North Texas, it’s an all too familiar landscape: as the suburbs haphazardly expand into the surrounding cross-timber forests and prairies like a wildfire of sterility and newness, they leave behind the abandoned structures of what was considered “new” not a decade prior. Suburban ghost towns manifest just as quickly as new developments do, and in this mad rush to create the next batch of Eulesses, Hursts, and Haltom Cities, we are left with the partially inhabited remnants -- the hand-me-downs of a culture that is hopelessly addicted to that proverbial “new car smell.” In these hollow ruins we find evidence that the conquest was far from complete. Patches of overgrown forest still grow amongst dated shopping centers whose vacant storefronts are commonly punctuated by laundromats, dollar stores, taquerias, and resale shops. Many of us are products of such environs, and in a sort of self-loathing way, I think it’s something to be proud of. I would not be who I am today without the landscape that surrounds me. I’m a sucker for nostalgia, and I tend to obsess about the power of place. This place radiates comfortably decaying mediocrity. This place is a patchwork of old and new sewn together with the thread of an ass-backwards civilization that I can’t deny being a part of. Before I stumbled blindly into the world of substance use and abuse, I filled my days exploring those remaining patches of forest. I rambled aimlessly behind mini-malls. I did my best to look cool hanging out in front of 7-11s. Little changed after I discovered punk rock, malt liquor, and cheap weed. It’s been over a decade and I still find myself in this same condition. The only change I need is the kind that affords me a microwave burrito and a sixpack of tallboys. The following is my (very limited) soundtrack to this nostalgic landscape. I know I traverse it in good company, so if any of what I say rings true for you, check out some of these albums -- preferably with a cold beer in some neglected patch of woods.

"The Top Five Albums to Listen to While Drunkenly Traversing the Suburban Wasteland of the Mid-cities" by Brad Dougher

5. The GC5 - Kisses From Hanoi/Horseshoes and Hand Grenades (2003 CD re-release, Thick)

You can’t hit the streets without punk rock. Them’s the rules. And the GC5 are the ideal punk band. These guys don’t take themselves too seriously as many bands tend to, and the beer soaked singalongs that make up the majority of their music reinforce that fact. The power of these angsty anthems is enough to make anyone seek out the sort of anti-adventure that can be found by hitting the streets. This band is smart and quintessential. This band should’ve been bigger.


4.) Beck - One Foot in the Grave (1994, K)

The first album I ever purchased on my own was Odelay. Prior to that, my collection included a variety of “country superhits” type stuff. Odelay showed me that you really can do whatever the hell you want with music. From then on I ravenously sought out the rest of his discography. One Foot in the Grave was a revelatory gem that essentially became the reason I started writing songs. The lo-fi anti-folk blues of it really struck a dissonant chord in me, and became the musical manifesto behind my slacker ethos.


3.) The Anchor - s/t (2010, ADD/Hotdogs and Records)

The Anchor is a punk band from Austin -- personal friends of mine that are definitely worth checking out. Though the nostalgia I associate with these guys mostly involves my two-year stint in Austin, it has translated well to DFW. The music is straightforward, unpretentious, and reeks of sweat and cigarette smoke. These guys drunkenly worship at the altar of such legends as Avail, Leatherface, The Lawrence Arms, and all of their gruffly melodic counterparts. Their sound hearkens back to the age of those life-changing cheap punk compilations. When you’re wandering aimlessly through the suburbs with a backpack full of beer, you can’t go wrong with a band that would be right there with you if they could.


2.) Silkworm - Firewater (1996, Matador)

Though notably darker than anything else on this list, this album deserves recognition for its masterful articulation of the depressing side of aimless drunkenness. Imagine that all previous albums on this list represent the carefree, belligerent days of your post-formative years. Firewater would be the sinking feeling of reality setting in. This album has emerged numerous times out of the haze of my life to assert itself -- each time more relevant than the last. It has staying power. The lyrics read like apathetically pessimistic beat poetry. The music is abrasive indie rock with driving intensity accented by some of the catchiest guitar work I’ve ever heard. If you don‘t own this album, you really need to get your shit together.


1.) Drive-By Truckers - Pizza Deliverance (1999, Souldump)

Topping this list is my favorite album by one of my absolute favorite bands. The Drive-By Truckers are southern bards that paint a brutally honest and endearing portrait of the south with every word they sing, and as much as it may not seem like it, the root of much of our North Texan culture is southern. Though it may be waning, southern culture still shows itself in the remote and forgotten parts of the Metroplex -- those parts that are best enjoyed with an eye for the obscure and an appreciation for the little things. The Drive-By Truckers embody this concept and deserve a listen by anyone that remotely cares about such things. I was born in Longview, which is a medium-sized town in the piney woods of East Texas. It is by no means backwoods, but moving here at the age of eight was still quite the culture shock. It didn’t take long to ease into it though. I traded endless expanses of forest for the equally endless suburbs. By the time I had graduated high school, this album had become the standard summertime soundtrack for drinking whiskey in the woods and bitching about girlfriends. The songs are all well-told stories. Some about heritage, some about family problems, but most are about drinking, shootin’ the shit, and getting your heart broken. Get in touch with those roots you might’ve been trying to hide and it’ll all be okay.


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Bridgetown Records Winter Sampler

Awhile back songwriter/Bridgetown Records main man Kevin Greenspoon sent us the label's Winter Sampler. We're wishing we would have posted the link sooner as the supply of many of the label's small run bedroom records are dwindling. Download the sampler here. Like what you hear? Just send Mr. Greenspoon $20ppd to get all 6 records from the sampler.

If you do opt shill for the full package, you'll get:
Trudgers - Always Crashing Heaven
Nicole Kidman - Teen Worship tour CD version
Vehicle Blues - Punks On Transit
Cloud Nothings - Turning On
Kevin Greenspon + Nicole Kidman - Blue Crush
Nicole Kidman - 20 Years Old...

MP3: Kevin Greenspoon + Nicole Kidman - Tyrone

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Woods - Songs of Shame

While not a new record by any stretch of the imagination Woods' Songs of Shame was one of the gems from 2009 that I regretfully didn't have time to get around to back when it was. The songs on Wood's latest full length range from brief 90-second ideas to ten-minute forays into skeletal psychedelia. With their high energy, pure rock and roll performances,they'll definitely be a good one to catch while you find yourself dizzy amidst the SXSW chaos next month.

MP3: Woods - To Clean

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Hugh Cornwell - Hooverdam

Hugh Cornwell, the legendary lead singer/guitarist of the British new wave/punk pioneering Stranglers is about to embark upon a U.S. tour. While this is probably not a big deal to most of us considering he's not coming remotely near DFW, there is still a bit of exciting news to accompany this bit of news; Cornwell's latest solo effort, Hooverdam, is now available for free download via his website. It's the perfect accompaniment to a night of drinking cheap whiskey in a cheap hotel while discussing the merits of the grunge music and/or child-rearing. It may sound like a ridiculous conclusion to jump to, but trust me, I've just spent the last few hours doing just that --with absolutely brilliant results. Just a tip "Delightful Nightmare" is perfectly sinister and delightfully haunting. All in all it's one of those albums that sounds like it could just as easily have come out 15 years as last week, and as such serves just as fittingly as background music as it does being the main event/cruising tunes.

MP3: Hugh Cornwell - Delightful Nightmare

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Andy's Airport of Love - Actually, I Am Sasha Fierce

I'm not going to lie, pretty much the only reason I decided to check out Andy's Airport of Love was because I found out they had a limited edition cassette out titled, "Actually, I Am Sasha Fierce." It's true I judged an album on its title, but hey it's one of the more creative ones I've heard in a bit. And while on whole the thing is so lo-fi it would drive even Alan Palomo crazy, there are still a couple of decent listens mixed in.

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Holiday Records Week: Pop Comp III

A new American indie pop label that gives away free music every Friday? Yes. We scour the world for the greatest new songs so you don't have to. No stone is left unturned. You are a child, and we are your parents.

This is the promise of Holiday Records, one of our favorite DIY labels. We've gotten several cool EP's and whatnots so far in 2010 and it has been a shame we haven't given them the attention they so rightfully deserve. Perhaps we shall remedy that by making this Holiday Records Week at SubEx, and by 'week' I mean as many days in a row until our A.D.D. kicks in.

Day 4: Though they currently call Somerville, MA home Technoir MA sounds more like something one would have found on a British indiepop sampler cassette in the mid-eighties. So it's no wonder really that they list Joy Division, New Order, Buzzcocks, and Brian Eno among their influences. The best part is that they are just one track from Holiday Records' third pop compilation record.

MP3: Technoir MA - Roundabout
Holiday Records Pop Comp III [zip file]

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Q&A: Just Who Is This Roy Robertson Character?

Earlier this week we marveled at the recent emergence of local song-and-dance man Roy Robertson, from his addition to the ever-growing NX35 lineup, being featured on this past week's local Edge show, and showing up in several local blogs. All this newfound attention has come so unexpectedly, it has caused many of our Tweeps and SubEx commenters to ask us just where this so-called Roy Robertson character came from. In this quick and painless Q&A we shoot Mr. Robertson some oddly-phrased third-person quandries in order to answer this very question.

SubEx: Who is this Roy Robertson character?
Roy Robertson: This Roy Robertson character is a musician, composer and producer. I write, perform, record and mix everything. I also draw the pictures and design the artwork.

SE: Where is he from?
RR: I'm from a lot of places. I was born in TX but moved overseas and around the US for most of my life.

SE: Where has he been the last few years?
RR: I've been in Midlothian, Ireland, Austin and Denton in the last 2 years.

SE: And where does he currently reside?
RR: I am living in Denton at the moment, in a wonderful little blue and white house.

SE: What is his musical background?
RR: I began playing music at 15 after my sister quit trying to learn the guitar and gave it to me. I taught myself for the most part and began to write songs.

SE: So why am I just now hearing about him?
RR: I usually don't email people to listen to my music.

SE: What projects is he currently working on?
RR: I'm always recording and writing. I've got tons of songs, plus that many more demos and instrumentals. Right now I'm rehearsing my band for our upcoming shows, and getting ready to record an EP and LP this spring. One of which will be out this summer.

SE: Who are his biggest influences?
RR: The Beatles, Bob Dylan, The Mars Volta and Sufjan Stevens.

SE: How did he put his band together?
RR: Most of them are people I only know from musical projects. They are the kind folks who help me play live.

SE: Where does he see himself in 2 years?
RR: I have never thought about that... I suppose a few albums older.

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The Guestlist w/ Matthew Gray

After a little dry spell, The Guestlist is back in action with a brand new list from none other than Denton’s own Matthew Gray. As front man of the vibrant and ethereal Matthew And The Arrogant Sea, Gray has been a very busy man as of late. While even maintaining one band can be complicated enough, Gray also fronts another band called Writer… Oh and on his time off from that, somehow Gray has found the time to book many of the awesome shows that are brought to you at Dan’s Silverleaf, as well as co-head the programming team for the exciting and upcoming NX35 Music Conferette. Did I mention that MATAS is about to head out on a West coast tour with none other than Denton’s own Midlake? Yeah. Which if you haven’t heard of them lately, then surely you must’ve been in a cave searching for Horcruxes with Dumbledore. But even through all of that, Gray has graciously still found the time to do us a solid and has given us this week’s Guestlist!

All of the above mentioned, I learned last night over an impromptu game of pool and a few $1 shots of KD in the low-lit basement of Andy’s Bar; my home away from home. *wink. Matthew Gray is a good man with good ideas and good intentions for the music scene here in Denton, TX… Just don’t play pool with him, unless you wanna keep buying shots every time you LOSE!… It’s that effing 8-ball every time! I swear!

So with no further banter on my part, here is the short but sweetly hilarious Guestlist With Matthew Gray.

The Top Five Reasons To Go To NX35 This Year by Matthew Gray

5. Because you already have a beard.

4. Because The Flaming Lips are SO Midlake.

3. Because The Dallas Observer loves The Jonas Brothers… uh- I mean Neon Indian.

2. Because you can ride a Pedicab for free IF it’s downhill.

1. Because being a Townie at NX35 consists of getting hammered and finding free cigarettes.


- Cory Coleman [c]

Holiday Records Week: Paisley & Charlie

A new American indie pop label that gives away free music every Friday? Yes. We scour the world for the greatest new songs so you don't have to. No stone is left unturned. You are a child, and we are your parents.

This is the promise of Holiday Records, one of our favorite DIY labels. We've gotten several cool EP's and whatnots so far in 2010 and it has been a shame we haven't given them the attention they so rightfully deserve. Perhaps we shall remedy that by making this Holiday Records Week at SubEx, and by 'week' I mean as many days in a row until our A.D.D. kicks in.

Day 3: UK melodic magicians Paisley & Charlie are by far the most polished/mature pop act I've been exposed to via the Holiday Records free singles club yet. Their smooth discopop tones are as smooth and danceble as they are wistful.

MP3: Paisley & Charlie - Sebastian (Come Home)

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YACHT Takes On Weezer For iTunes

Fun fact: Back in high school YACHT’s Claire L. Evans ran Geekrocklove, purportedly the #2 most popular Weezer fansite at the time. So their decision to cover Blue Album gem "Holiday" during their iTunes session is not, perhaps, as out of left field as it initially appeared. While I call it a cover, it's a pretty loose definition of the term, as pretty much only the words are the same --and even then they've taken some liberties. Still, it's a great new "take" on one of my favorite nerdrock classics.

MP3: YACHT - Holiday (Weezer cover)
YACHT's iTunes session

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Holiday Records Week: NunParty EP

A new American indie pop label that gives away free music every Friday? Yes. We scour the world for the greatest new songs so you don't have to. No stone is left unturned. You are a child, and we are your parents.

This is the promise of Holiday Records, one of our favorite DIY labels. We've gotten several cool EP's and whatnots so far in 2010 and it has been a shame we haven't given them the attention they so rightfully deserve. Perhaps we shall remedy that by making this Holiday Records Week at SubEx, and by 'week' I mean as many days in a row until our A.D.D. kicks in.

Day 2: Like yesterday's featured artists, The Hairs, NunParty also hails from Brooklyn, NY. It took me a couple of listens to get used to just how raw and lo-fi their album really is, but now that I'm over it I'm really enjoying it. Like listening to music from the 1950's being performed on instruments from the 2010's by ghosts from the 1960's. That is to say that I find a quite haunting quality to its beauty.

MP3: NunParty - Architect of My Heart
NunParty's EP [zip file]

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New Hood Internet Ish

My favorite mashup duo, The Hood Internet, have some new stuff to download on their blog. Among them this blending of R. Kelly's "Ignition" with Major Lazer's "Keep It Going Louder". While I was over there grabbing it for myself I also noticed there were a few new shirts and hoodies and things for sale.

MP3: The Hood Internet - Ignition (Keep It Remixing Louder) (R. Kelly vs Major Lazer)

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The Sudden Rise of Roy Robertson

Only a matter of days ago I had never heard of Roy Robertson before. As of this morning, however, I have a handful of his tunes in frequent rotation on my iPod, I have learned he's been added to the ever-growing NX35 lineup, and heard one of his tracks on KDGE's 'Local Edge' program. Sure he may have come out of nowhere, but he's got the songwriting chops and affinity for crafting the type of poppy alt-folk that those kids living up in the little d really eat up. And the fact that his voice is vaguely reminiscent of a more-sober Tim DeLaughter won't hurt his cause in this region either. Check out my favorite of his tracks, "Book Burner," which I believe will be on his upcoming record, and is now streaming on Robertson's MySpace page. Be sure to stick around for the ending which grows to be pretty epic.

MP3: Roy Robertson - She Was Born To Be My Unicorn [T Rex cover]

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Holiday Records Week: The Hairs - Electric Virgin EP

A new American indie pop label that gives away free music every Friday? Yes. We scour the world for the greatest new songs so you don't have to. No stone is left unturned. You are a child, and we are your parents.

This is the promise of Holiday Records, one of our favorite DIY labels. We've gotten several cool EP's and whatnots so far in 2010 and it has been a shame we haven't given them the attention they so rightfully deserve. Perhaps we shall remedy that by making this Holiday Records Week at SubEx, and by 'week' I mean as many days in a row until our A.D.D. kicks in.

Day 1: Hailing from Brooklyn, The Hairs are Alex of The Pains of Being Pure At Heart and Kevin of Knight School (+ beats). Though it's not always the case when you combine members of 2 great bands, The Hairs make a brand of lo-fi jangle-pop that proves to be equal to or greater than the sum of their collective parts.

MP3: The Hairs - Houseplant Song
The Hairs - Electric Virgin EP [zip file]

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Little D Heads To The Big D

Oh how I wish I were going to be in town tonight. Not only have I still not been to the new Trees (I know, I know), but I am missing the best bill The Edge has put together thus far in their little quest-to-open-edgefest concert series. Head to the Big D tonight at 7 to check out the finest acts from the little d: New Science Projects, Dust Congress, Daniel Folmer, and SubEx fav Ryan Thomas Becker who will be stepping in at the last minute for Matthew Gray (who is unable to perform due to illness).

No cover, 18+ only.

8p: RTB
9p: NSP
10p: Daniel Folmer
11p: Dust Congress

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It’s Never Too Late For Tom Waits!

I used to think that Tom Waits was sort of a joke. Then again, back in high school, I also used to think that Dashboard Confessional was the greatest thing since the discovery of popcorn. But after recently seeing his hilarious dialogue with Iggy Pop in “Coffee and Cigarettes” and, even more recently, his amazing performance as the Devil in “The Imaginarium Of Doctor Parnassus”, I have come to discover the genius of this all-around artist.

Waits’ voice alone is eccentric and perplexing. I have heard tall tales of the history of his voice from things like him yelling at the top of his lungs into a pillow every night to smoking three packs of Marlboro Reds a day for the last 30 years. Both of which might be true, but regardless, his tone is probably the most peculiar since Louis Armstrong. But when you get past that factor, you discover that his lyrics are deep, soulful, sad, raw and even comical at times. He uses a wide array of instruments and devices to create his wild, gritty, bluesy or noise filled melodies. Many of his recordings are so raw that you almost feel as if you are sitting with him in his low-lit, smoke/instrument-filled recording room on the other end of the piano bench that just creaked as the last keys were pressed.

If you have never heard Tom Waits or maybe just thought that it wasn’t your cuppa tea, I would suggest to all the SubEx community in that boat to give it a try. It might be just the thing you are looking for on a cold, misty drive like today.

MP3: Tom Waits - And No One Knows I'm Gone

- Cory Coleman [c]

Shining - Blackjazz

While I can enjoy small doses of heavy rock from time to time it is typically not my first musical choice. Yes, I do own a pair of black jeans, but that's about as closely as I come to fitting into the metal community. But when Shining, a group of 5 Norwegians, bring saxophones and jazz fundamentals into the mix it serves to make the resulting chaos seem markedly more tolerable --or at least exponentially more fascinating. Maybe like, say, a Drug Mountain but with loads more purpose. Their most recent ear-crushing achievement, Blackjazz, also contains cover of King Crimson’s classic “21st Century Schizoid Man.” It was released Tuesday via Indie Recordings.

MP3: Shining - 21st Century Schizoid Man
MP3: Shining - Fisheye

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The Day The Music Died

On this day in 1959, a plane crash killed some of music’s greatest rock & roll pioneers.

Buddy Holly, Ritchie Valens and J.P. “The Big Bopper” Richardson, who were touring together at the time, were on a flight from Clear Lake, Iowa to Moorhead, Minnesota at 1:00 A.M. when the small Beechcraft Bonanza plane they were on went missing, and radio contact could not be made. The next morning, a pilot made the same intended route and discovered the wreckage of the aircraft in a cornfield about 5 miles northeast of the Clear Lake Airport. All four passengers, including pilot Roger Peterson, had been killed instantly on impact by what the county coroner declared as “gross trauma” to the brain. The cause of the crash: poor weather conditions and an unqualified pilot.

Ritchie Valens, whom had never rode on a small plane before, asked Holly’s remaining band member, Tommy Allsup, if he could have his seat, to which Allsup said, “I’ll flip ya for the remaining seat.” Valens won the coin toss, thus, sealing his own fate that night.

The late, great Waylon Jennings, who rose to prominence as bass player for Buddy Holly, was to be on this flight, but gave his seat up to Richardson due to Richardson having the flu. When Holly found out that Jennings was not going to be on the plane, he said to Jennings, “Well, I hope your ol’ bus freezes up”; speaking of the rickety tour bus they had been touring in that was ill prepared for the cold northern conditions. Jennings responded to Holly by saying, “Well, I hope your ol’ plane crashes.” The exchange between the two, though in humor, haunted Jennings the rest of his life.

Without the influence from these rock & roll pioneers, many of the great artists over all these years and the music we know and love and love to make would not exist. So remember your roots today and pour a little out for these legends and the music they made that changed the world forever.

- Cory Coleman [c]

Video: James Husband - Window


Speaking of the devil, James Husband has just released a video from the album we were just listening to. In it he lives out every man's fantasy of having two brainless marionette-like women all to himself --or maybe that's just mine.

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Acrylics - All Of The Fire

More from the 'not new but new to me' file, Brooklyn-based quintet Acrylics released released their All Of The Fire 10" on Terrible Records, a new label formed by Chris Taylor of Grizzly Bear and Ethan Silverman. Interestingly, the record was produced by Taylor himself at his church-studio in Brooklyn, Terrible Studios, and not surprisingly it shows all the care of Taylor and his bandmates put into their own remarkable 2009 effort.

MP3: Acrylics - All of the Fire

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Album Review: The Good Feeling Music of Dent May and His Magnificent Ukulele

It doesn't take much imagination to picture Dent May recording his slightly off-kilter crooning in his doublewide trailer home parked in the tiny town of Taylor, Mississippi (pop. 300). What's more impressive, however, is how effortlessly May makes you forget you are listening to an album dominated by an instrument as oft-slighted as the Ukulele; This feat is even more astounding when one considers the album's title is The Good Feeling of Dent May and His Magnificent Ukulele.

It's a bit odd to me that the pleasant eccentricity of May and his slightly offbeat music are a product of such a small town. This subject is broached on album's standout track "Oh, Paris!" which finds an oompah-ing tuba pleasantly joining the mix as May blissfully belts out his affection for the first city where he's apparently not felt out of place.

While the shear notion of a ukulele-dominated album would seem on the surface propelled by gimmickry, the magnitude of May's earnestness allows the listener to effortlessly surpress any notion to the contrary. I never thought I'd find myself enjoying the uke so thoroughly, but in Dent May's case his magnificent playing does result in some pretty good-timing music.

MP3: Dent May & His Magnificent Ukulele - Meet Me In The Garden
MP3: Dent May & His Magnificent Ukulele - Oh, Paris!

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More Shameless Pluggery


New Mount Righteous vid for "Suburban Homesick Blues". This one is from the new upcoming album we recorded with John Congleton. As one might infer from the title (as well as from watching the video itself) it's a tip of the ole cap to Mr. Dylan. Pls enjoy.

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A Paradoxed One

While James Husband's (aka of Montreal's Jamie Huggins) debut solo album A Paralax I isn't new per se, it was only recently that I had a chance to check it out. Not surprisingly, it sounds exactly like one would expect; Melodies abound, hooks are in no short supply, and yet it fails to ever explore new territory or seek to be anything other than milquetoast. Fairly or unfairly Husband is never able to really step out of that Kevin Barnes shadow --a feat made even more impossible by the large sticker on the front of the album instructing record store employees to file Husband's album under 'of Montreal' in lieu of its rightful placement with the rest of the H's. While it didn't blow my hair back, the bonus Under The Covers album and Polyvinvyl sampler records both included with A Paralax I made me feel like I at least got my money's worth; Although the covers disc really only served as further proof that Husband is only truely at his best when performing other people's songs.

In a somewhat related note, I read over on Brooklyn Vegan that not only is the new of Montreal record near completion, Barnes and company have plans to expand the band to a 10-piece in order to eliminate the backing tracks they've relied on for so long now.

MP3: James Husband - A Grave in the Gravel

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